Vinyl LP pressing. Recorded in May 1963, Silver's Serenade was the last in a fantastic run of albums that pianist Horace Silver would make with the most celebrated line-up of his Quintet featuring Blue Mitchell on trumpet, Junior Cook on tenor saxophone, Gene Taylor on bass, and Roy Brooks on drums. The core of the band had been together since 1959 and recorded hard bop classics like Finger Poppin' and Blowin' the Blues Away, with Brooks joining in 1960 on Horace-Scope. The program on Silver's Serenade consists of five Silver tunes that epitomize his exceptional compositional style: captivating melodies, sophisticated harmonies, and intricate rhythmic inventions with a soulful and unerring sense of swing at the core. From the relaxed groove of the opening title track to the hard-charging finale "Nineteen Bars" the Quintet delivers their swan song with style.

The precocious and prodigious drummer and composer Tony Williams had already joined the Miles Davis Quintet and participated in numerous landmark Blue Note recordings including Herbie Hancock Empyrean Isles, Eric Dolphy Out To Lunch, Andrew Hill Point Of Departure, Jackie McLean One Step Beyond, and Grachan Moncur III Evolution by the time he recorded his own adventurous debut album Life Time in August 1964, when he was still just 18 years old. Williams had no intention of playing it safe on his maiden voyage as a leader and set forth to document his uncompromising expression on this program of innovative original compositions.

Side 1 presents the expansive two movement suite "2 Pieces of One" with the drummer joined by tenor saxophonist Sam Rivers and bassists Gary Peacock and Richard Davis. Side 2 opens with the jaunty "Tomorrow Afternoon" featuring Williams, Rivers, and Peacock. Williams plays a variety of percussion on the freely improvised "Memory" which features Herbie Hancock on piano and Bobby Hutcherson on vibraphone, and lays out entirely on the ruminative piano-bass duet "Barb's Song to the Wizard" performed by Hancock and Ron Carter which closes the album.

Limited 180gm vinyl LP pressing. The incomparable trumpeter Clifford Brown recorded two leader sessions for Blue Note in 1953-a co-led quintet date with Lou Donaldson and his own sextet date-that were compiled on the 12" LP Memorial Album (BLP 1526) shortly after his tragic death in 1956. Brownie's star burns bright from the blistering 'Cherokee' to the stunning ballad 'Easy Living'. This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

A magnificent band featuring Hank Mobley, Herbie Hancock and Kenny Burrell helped this trumpet legend create one of his most memorable albums with this 1963 recording. Duke Pearson did the arrangements, and an eight-piece gospel choir helped Byrd reach the spiritual heights he was seeking; the stunning "Cristo Redentor" joins "The Black Disciple," "Elijah," "Chant" and more. This stereo Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180g vinyl! Blue Note.

Limited 180gm vinyl LP pressing in gatefold jacket. In November 1960, trumpeter Donald Byrd brought his quintet into the Half Not Cafe in New York City to record this soulful, swinging and highly enjoyable live set of hard cop featuring Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass) and Lex Humphries (drums). Blue Note Tone Poet Series features all-analog, remastering.

Trumpeter Donald Byrd and Hank Mobley (tenor sax) let listeners know that they are in for an exceptional musical experience on "Ghana". For these Byrd In Flight 1960 sessions, he was joined by Jackie Mclean (alto sax), Duke Pearson (piano), Doug Watkins/Reggie Workman (bass) & Lex Humphries (drums). Higlights include the stunning ballad "Little Girl Blue," and swingers "My Girl Shirl" and "Lex". Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold package.

Limited 180gm vinyl LP pressing. On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's "Remember" through bluesy originals like "Dig Dis", & the swinging up-tempo number "Split Feelin's." Soul Station endures as a jazz classic for the ages.

Limited 180gm vinyl LP pressing in gatefold jacket. Jimmy Smith revolutionized the use of a Hammond B-3 organ. Arguably his finest moments, the sessions with Stanley Turrentine (tenor sax) helped define jazz. Prayer Meetin' is brimming with the bluesy grooves that made their collaborations classics. Highlights include "Red Top" and the title track's incredible interplay, while Stanley delivers a ballad tour-de-force on "I Almost Lost My Mind." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Cloak captures the magic, mystique, and mystery of classic heavy metal with their long-awaited debut 'To Venomous Depths'. Drawing from metal's most impactful sub genre's, the quartet distill their collective influences into an enthralling full-album experience that honors the spirit of the early classics while standing firmly in the now. Captivating tracks like "Beyond the Veil", "Deep Red", "Forever Burned" and the title track are riveted with somber harmonies, driving rhythms, and dramatic builds in momentum and suspense. Cloak's bold and blackened metal teems with dark energy, and 'To Venomous Depths' is a testament to the genre's primal power and magic.

Miles' early Blue Note sessions from 1952-54 yielded two later LPs that Blue Note released as part of the 1500 Series. Volume 2 is split between the blazing bebop and beautiful ballads that first made Miles famous: "Well You Needn't," "Lazy Susan," "The Leap," "It Never Entered My Mind," "Donna," alternate takes of "Ray's Idea" and "Tempus Fugit" and more. This mono Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180-gram vinyl! Blue Note.

Pianist and composer Andrew Hill debuted on Blue Note with a burst of creativity that produced 4 classic albums in 5 months, including his 1964 masterpiece, Point of Departure. His extraordinary compositions are given thrilling performances by a diverse ensemble featuring Kenny Dorham, Joe Henderson, Eric Dolphy, Richard Davis, and Tony Williams. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Andrew Hill is one of the most distinctive pianists/composers in jazz. Recorded in 1969, it sat unreleased until 2003 when it was issued on CD thanks to archivist Michael Cuscuna. Hill penned all compositions for an ensemble featuring Woody Shaw, Dizzy Reece, Julian Priester, Joe Farrell, Howard Johnson, Bob Northern, Ron Carter and Lenny White. This is presented for the first time on vinyl. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Limited 180gm vinyl LP pressing in deluxe gatefold packaging. Andrew Hill's 1968 album Dance With Death stands as one of the most gratifying, though under-recognized, sessions of the brilliant pianist's discography, featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins. Blue Note Tone Poet Series features all-analog remastering.

Limited 180gm vinyl LP pressing. Andrew Hill's Black Fire is both the pianist and composer's debut and an acknowledged masterpiece of modern post-bop jazz. Featuring a sublime quartet with Joe Henderson on tenor saxophone, Richard Davis on bass, and Roy Haynes on drums, the music still sounds as fresh today as it did the day it was recorded in November 1963, the start of an astounding creative streak that also produced Hill's great albums Smokestack, Judgment!, and Point of Departure during a period of just four months.

Anthony Williams - "Spring (Blue Note Classic Vinyl Series)" Drummer and composer Tony Williams' adventurous 1965 album Spring-his second as a leader for Blue Note-found him convening a stellar line-up with saxophonists Wayne Shorter and Sam Rivers, pianist Herbie Hancock, and bassist Gary Peacock. The five Williams originals presented here offer the musicians spacious realms in which to go exploring. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Limited 180gm vinyl LP pressing. The 1961 album Mosaic marked a pivotal moment in the story of Art Blakey & The Jazz Messengers with the drummer welcoming the arrival of trumpeter Freddie Hubbard (replacing Lee Morgan) and pianist Cedar Walton (replacing Bobby Timmons). The band also expanded to a sextet with the addition of trombonist Curtis Fuller who joined existing members tenor saxophonist Wayne Shorter and bassist Jymie Merritt to establish a powerful new line-up that would perform together until 1964 and record several classic albums including Buhaina's Delight and Free for All. Mosaic opens with a flourish as the band launches into the magnificent title track composed by Walton, and the set also includes memorable compositions by Shorter ("Children of the Night"), Fuller ("Arabia"), and Hubbard ("Down Under" and "Crisis"). This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.

Limited 180gm vinyl LP pressing. 1958's Moanin' - featuring the great drummer w/ trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, & bassist Jymie Merritt - was the perfect crystallization of the band's bluesy, soulful sound, & it still stands today as perhaps the most quintessential hard bop recording of all-time. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including "Along Came Betty" & "Blues March."

Recorded in 1961, but not released until 1967, The Witch Doctor features one of Art Blakey & The Jazz Messengers' greatest line-ups: Wayne Shorter (saxophone), Lee Morgan (trumpet), Bobby Timmons (piano), and Jymie Merritt (bass). Highlights include Morgan's "Afrique," Shorter's "Those Who Sit and Wait," Timmons' "A Little Busy," and Jordan's "Lost and Found" which closes the album. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Vinyl LP pressing. Blue Note Tone Poet Series. One Art Blakey's greatest albums with the Jazz Messengers, Roots & Herbs, is little known. In 1961, the group featured Lee Morgan (trumpet), Wayne Shorter (tenor sax), Bobby Timmons (piano) and Jymie Merrit (bass). Recorded in Rudy Van Gelder's New Jersey studio, it's a brilliant set of six Shorter compositions, like the playful "Ping Pong" and the clever "United." It's among Blakey's finest.

Art Blakey's 1960 hard bop classic, The Big Beat, introduced one of the greatest line-ups of the Jazz Messengers with the legendary drummer joined by Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. 3 of the 6 tunes were composed by Shorter, but the album is best-known for an unforgettable version of Timmons' enduring hit "Dat Dere." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Limited 180gm audiophile vinyl pressing in deluxe gatefold jacket. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). Hammond B-3 organ soul jazz fans know and love the music of Jimmy Smith, but lesser known is the tragically short life and career of Roosevelt 'Baby Face' Willette who produced some of the deepest grooves ever recorded on the B-3 on just two Blue Note albums recorded in 1961. Willette's debut Face to Face is a showcase for his blues-drenched organ pyrotechnics. Joined by the brilliant guitarist Grant Green, tenor sax master Fred Jackson and the rock-solid drums of Ben Dixon, Face to Face is a tour de force of rough and ready soul jazz brilliance with an iconic Reid Miles cover design to match.

Kansas City-born Hammond B3 organ dynamo Big John Patton made a stellar run of soul jazz albums for Blue Note through the 1960s but Let 'Em Roll stands among his finest with Patton adding vibraphonist Bobby Hutcherson to a standard organ trio line-up with guitarist Grant Green and drummer Otis Finch. This stereo Blue Note Tone Poet Series was produced by Joe Harley, mastered by Kevin Gray from the original analog tapes, pressed on 180g vinyl and packaged in a deluxe gatefold tip-on jacket.

Blue Note's roster in the 1960s boasted numerous Hammond B3 organ whizzes including the soulful Kansas City-born master, Big John Patton. The dynamic quintet that he assembled for his 1965 album Oh Baby! packed a punch with the B3 master joined by Blue Mitchell (trumpet), Harold Vick (tenor saxophone), Grant Green (guitar), and Ben Dixon (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Limited 180gm vinyl LP pressing housed in gatefold jacket. Blue Mitchell was a member of Horace Silver's quintet before he began recording his own albums as leader for Blue Note through the 1960s. His 1966 album, Bring It Home to Me, is a bluesy and soulful hard bop date featuring the trumpeter with Junior Cook, Harold Mabern, Gene Taylor, and Billy Higgins. Blue Note Tone Poet Series features all-analog remastering.

Flutist Bobbi Humphrey debuted on Blue Note in 1971 and released 6 albums with them capped by Fancy Dancer in 1975, his 3rd collaboration with producer Larry Mizell. It proved to be a winning combination once again with Humphrey's alluring flute dancing through a set featuring standout Mizell compositions like "Uno Esta," and "You Make Me Feel So Good." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Vibraphonist Bobby Hutcherson's 1966 album Stick-Up! found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals, plus Ornette Coleman's "Una Muy Bonita." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Limited 180gm vinyl LP pressing in gatefold jacket. The Kicker was vibraphonist Bobby Hutcherson's first session (1963) via Blue Note but wasn't released until 1999. Instead, Dialogue was released as his debut album two years later. Now available on vinyl for the first time! A sequel to Grant Green's masterpiece Idle Moments, with the same artists: Green, Joe Henderson (tenor sax), Duke Pearson (piano), Bob Cranshaw (bass), Al Harewood (drums).

Limited 180gm vinyl LP pressing in gatefold jacket. Blue Note Tone Poet Series. Recorded in 1967, Oblique is one of two quartet sessions the great vibraphonist Bobby Hutcherson recorded for Blue Note. Released in 1979, features Herbie Hancock (piano), Joe Chambers (drums) and Albert Stinson (bass). An incredible journey from bops to exploratory sonic poems, with standouts like breezy opener "'Til Then," Hancock's tremendous "Theme From Blow Up" and Chambers' adventurous "Oblique".

The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco, which found the musicians moving into fusion territory with relentlessly grooving tunes like "Goin' Down South" and "Ummh" counterbalanced by exploratory pieces like the mesmerizing "Prints Tie." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.

Vinyl LP pressing. Following sideman appearances with pianist Horace Parlan in the early 1960s, Booker Ervin cut two stellar Blue Note records as a leader in 1968 including Tex Book Tenor which had to wait nearly 40 years until 2005 for it's first standalone release. With a sleek post-bop quintet featuring trumpeter Woody Shaw, pianist Kenny Barron, bassist Jan Arnet, and drummer Billy Higgins, the Texas-born saxophonist slices through a set of compelling bandmember originals including Barron's sinuous tune "Gichi" and Shaw's lilting waltz "In a Capricornian Way," as well as Ervin's lovely ballad "Lynn's Tune" and the hard-swinging "Den Tex," named for his hometown of Denison.

Blue Note Classic Vinyl Reissue Series!

180g Vinyl LP!

Mastered By Kevin Gray From Original Analog Tapes!

Pressed At Optimal!

The fourth volume of The Amazing Bud Powell series, recorded in 1958, found the brilliant bebop piano master in particularly fine form on an ebullient set of his original tunes including "Buster Rides Again," "Monopoly," and "John's Abbey." Powell's inventive solo flights shine in a trio setting with Sam Jones on bass and "Philly" Joe Jones on drums.

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

FEATURES:

• Blue Note Classic Vinyl Reissue Series
• 180g Vinyl LP
• All-Analog Pressing
• Mastered by Kevin Gray from Original Analog Tapes
• Manufactured at Optimal in Germany

Time Waits: The Amazing Bud Powell

The amazing bebop piano genius Bud Powell made his most enduring recordings as a leader for Blue Note. Powell's 1949 and 1951 sessions were compiled in 1955 on The Amazing Bud Powell, Vol. 1. Featuring the pianist with the likes of Sonny Rollins, Fats Navarro, Roy Haynes and Max Roach on bebop classics including "Un Poco Loco" and "Bouncing with Bud." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

FEATURES:

• Blue Note Classic Vinyl Reissue Series
• 180g Vinyl LP
• All-Analog Pressing
• Mono
• Mastered by Kevin Gray at Cohearent Audio from the original analog tapes
• Manufactured at Optimal in Germany

MUSICIANS:

Fats Navarro Trumpet

Sonny Rollins Tenor Saxaphone

Bud Powell Piano

Curly Russell Bass

Max Roach DRUMS

Amazing Bud Powell, Vol 1 (Blue note Classic Vinyl Series)

Limited 180gm vinyl LP pressing. Legendary trumpeter Miles Davis' unmistakable rasp at the end of "One for Daddy-O," makes it clear he wasn't just playing the role of sideman on Somethin' Else, the album by Cannonball Adderley. The depth of their musical camaraderie lifts this session up throughout, from the breathtaking performance of "Autumn Leaves" to the thrilling title track. Hank Jones/Sam Jones/Art Blakey round out the quintet.

Limited 180gm vinyl LP pressing in deluxe gatefold packaging. Kansas City-born trumpeter Carmell Jones signed to Pacific Jazz soon after his arrival in Los Angeles in 1960 and began what seemed sure to be a promising recording career with his accurately titled 1961 debut, The Remarkable Carmell Jones, featuring Harold Land, Frank Strazzeri, Gary Peacock and Leon Pettis. Blue Note Tone Poet Series features all-analog remastering.

Double 180gm vinyl LP pressing. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes. Cassandra Wilson's 1993 Blue Note debut, Blue Light 'Til Dawn, wove a tapestry of jazz, blues, folk, and R&B into a singular sound that opened new avenues of expression for vocal jazz. Produced by Craig Street, the album's inventive instrumentation, plus Wilson's riveting vocals, transformed songs by Robert Johnson, Joni Mitchell, Van Morrison, and more.

Double 180gm vinyl LP pressing. "Glamoured is a Gaelic word meaning to be whisked away," says vocalist and songwriter Cassandra Wilson, explaining the title of her 2003 album. "It's like being in a daydream, those split seconds when you're transfixed and your eyes don't move and you have to shake yourself out of it. This album captures the feeling of that reverie." Indeed, Wilson sets such a mood with her trademark mix of first-rate originals and adventurous covers of other songwriters' works, this time picking material by Sting, Bob Dylan, Willie Nelson, Muddy Waters and Abbey Lincoln. Such eclectic tastes come naturally to Wilson, who began her musical career performing in and around her hometown of Jackson, Mississippi. "Down South, musicians have to be able to play in many different circumstances and in many contexts," she says. "They have to play jazz, they have to integrate the blues, and they have to know country. And the lines are kinda blurry sometimes, 'cause that's what everybody wants to hear." For the recording of Glamoured, Cassandra once again returned to her hometown of Jackson, Mississippi with a list of good songs and an open mind. "For some albums, I'll have a very clear idea of where I want it to go," she says, "but this time I had questions about what kinds of sounds to explore."