Ricercar Consort / Pierlot,Philippe - Bach: Soli Deo Gloria | RECORD STORE DAY

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DISC: 1

1. Bach: Ich hatte viel Bekümmernis, BWV 21
2. Bach: Ich hatte viel Bekümmernis, BWV 21
3. Bach: Ich hatte viel Bekümmernis, BWV 21
4. Bach: Ich hatte viel Bekümmernis, BWV 21
5. Bach: Ich hatte viel Bekümmernis, BWV 21
6. Bach: Ich hatte viel Bekümmernis, BWV 21
7. Bach: Ich ruf zu dir Herr Jesu Christ, BWV 639
8. Bach: Ich hatte viel Bekümmernis, BWV 21
9. Bach: Ich hatte viel Bekümmernis, BWV 21
10. Bach: Ich hatte viel Bekümmernis, BWV 21
11. Bach: Ich hatte viel Bekümmernis, BWV 21
12. Bach: Ich hatte viel Bekümmernis, BWV 21
13. Bach: Allein Gott in der Höh sei Ehr, BWV 663
14. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
15. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
16. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
17. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
18. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
19. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
20. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
21. Bach: Herr Gott, nun schleuss den Himmel auf, BWV 617
22. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
23. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
24. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
25. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76
26. Bach: Die Himmel erzählen die Ehre Gottes, BWV 76

More Info:

Bach's cantatas form an inexhaustibly rich corpus of the highest musical inspiration, embracing all the compositional tendencies of his time and thus of his own music. The two masterpieces coupled here invite us to measure his evolution over a decade. In Weimar, with the Cantata BWV 21, we see him in a period of experimentation, turning to the model of Buxtehude to express a vivid pietism. In Leipzig, with the Cantata BWV 76, we sense the mastery of a composer using all his resources in a vertiginous synthesis to the glory of God.