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Liszt: Inspirations

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Rel. Date: 06/25/2021
UPC: 3770001904382

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DISC: 1

1. Liszt: Fantasie und Fuge u"ber das Thema B.A.C.H., S.260: I. Moderato
2. Liszt: Fantasie und Fuge u"ber das Thema B.A.C.H., S.260: II. Andante
3. Liszt: Fantasie und Fuge u"ber das Thema B.A.C.H., S.260: III. Fugue
4. Liszt: Fantasie und Fuge u"ber das Thema B.A.C.H., S.260: IV. Maestoso
5. Liszt: Liebestraum No.3, S.541
6. Liszt: Variationen u"ber Weinen, Klagen, Sorgen, Zagen, S.179: I. Andante
7. Liszt: Variationen u"ber Weinen, Klagen, Sorgen, Zagen, S.179: II. Allegro con moto
8. Liszt: Variationen u"ber Weinen, Klagen, Sorgen, Zagen, S.179: III. Animati
9. Liszt: Variationen u"ber Weinen, Klagen, Sorgen, Zagen, S.179: IV. Recitativo
10. Liszt: Variationen u"ber Weinen, Klagen, Sorgen, Zagen, S.179: V. Choral
11. Liszt: Saint Franc,ois d'Assise, La pre'dication aux oiseaux, S.175: I. Allegretto
12. Liszt: Saint Franc,ois d'Assise: La pre'dication aux oiseaux, S.175: II. Solenne
13. Liszt: Fantasie und Fuge u"ber den Choral Ad nos, ad salutarem undam, S.259: I. Moderato
14. Liszt: Fantasie und Fuge u"ber den Choral Ad nos, ad salutarem undam, S.259: II. A capriccio
15. Liszt: Fantasie und Fuge u"ber den Choral Ad nos, ad salutarem undam, S.259: III. Adagio
16. Liszt: Fantasie und Fuge u"ber den Choral Ad nos, ad salutarem undam, S.259: IV. Un poco più di moto
17. Liszt: Fantasie und Fuge u"ber den Choral Ad nos, ad salutarem undam, S.259: V. Allegro deciso
18. Liszt: Fantasie und Fuge u"ber den Choral Ad nos, ad salutarem undam, S.259: VI. Fuga
19. Liszt: Fantasie und Fuge u"ber den Choral Ad nos, ad salutarem undam, S.259: VII. Vivace molto
20. Liszt: Fantasie und Fuge u"ber den Choral Ad nos, ad salutarem undam, S.259: VIII. Più mosso
21. Liszt: Consolation, S.172

More Info:

As well as being the promoter of the piano recital and creator of the symphonic poem, Franz Liszt was also a prodigious innovator in the organ repertory. Olivier Latry, resident organist on the great organ of Notre-Dame-de-Paris for more than thirty-five years, has recorded five of his pieces on the Rieger organ of the Philharmonie de Paris, including the three major published works for the instrument, fleshed out with transcriptions and arrangements. These works reflect the genius of their composer, who chose sources as different as a Bach cantata, a theme from a then-fashionable opera and the four letters of a name to create music of overflowing imagination. His approach to the organ, opening up previously unexplored horizons, was of course inspired by the piano, his instrument of choice. This recording, aided by the outstanding musical quality of the Philharmonie organ, is an ideal introduction to the multiple facets of his genius.