In the Ascendancy: The Jazz Avant-Garde / Various - In The Ascendancy: The Jazz Avant-Garde / Various | RECORD STORE DAY
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DISC: 1

1. Lonely Woman-Ornette Coleman
2. Eventually-Ornette Coleman
3. Peace-Ornette Coleman
4. Focus on Sanity-Ornette Coleman
5. Congeniality-Ornette Coleman
6. Chronology-Ornette Coleman
7. Ictus-
8. That's True, That's True-Jimmy Giuffre
9. Sonic-Jimmy Giuffre
10. Whirrr-Jimmy Giuffre
11. Carla-Jimmy Giuffre
12. Goodbye-Jimmy Giuffre
13. Flight-Jimmy Giuffre
14. The Gamut-Jimmy Giuffre
15. Ancient Aiethopia-Sunra
16. Spiritual-John Coltrane -Eric Dolphy
17. Softly, As in a Morning Sunrise-John Coltrane -Eric Dolphy
18. Chasin' the Trane-John Coltrane
19. Naima (With John Coltrane)-Eric Dolphy
20. To Her Ladyship (With John Coltrane)-Eric Dolphy
21. Stolen Moments (With Oliver Nelson)-Eric Dolphy
22. Glad to Be Unhappy-Eric Dolphy
23. God Bless the Child-Eric Dolphy
24. Warm Canto (With Mal Waldron)-Eric Dolphy
25. Left Alone-Eric Dolphy
26. Abstract-Joe Harriott Quintet
27. Impression-Joe Harriott Quintet
28. Straight Lines-Joe Harriott Quintet
29. Calypso Sketches-Joe Harriott Quintet
30. Bemsha Swing-Cecil Taylor
31. Charge 'Em Blues-Cecil Taylor
32. Azure-Cecil Taylor
33. Song-Cecil Taylor
34. You'd Be So Nice to Come Home To-Cecil Taylor
35. Rick Kick Shaw-Cecil Taylor
36. Sweet and Lovely-Cecil Taylor
37. Free-Albert Ayler Free

More Info:

A 3CD anthology of Free / Avant-Garde jazz. The landmark albums included here in their entirety are Ornette Coleman's 'The Shape of Jazz to Come', 'Thesis' by The Jimmy Giuffre 3, John Coltrane's '"Live" at the Village Vanguard' (including the controversial 'Chasin' the Trane'), 'Warm Canto' by Eric Dolphy (his work on flute bass clarinet) and from the astonishing date of 1956, Cecil Taylor's 'Jazz Advance', the earliest recording of the new music. Featuring key works by the pioneers of the new music; the saxophonists Ornette Coleman, John Coltrane, Albert Ayler and Joe Harriott; the pianists Cecil Taylor and Sun Ra; and the multi-reed men Eric Dolphy and Jimmy Giuffre, whose minimalist abstractions for clarinet are in fascinating contrast to the labyrinthine, raga like lines of Coleman or Coltrane, Ayler's cries from the ghetto, or the Impressionist dissonances of Taylor. If, in the work of Joe Harriott, the flavour of calypso is implicit then similarly that alluring juxtaposition of antique Africa and the cosmos in the music of Sun Ra.