Mozart / R Strauss / Devieilhe / Pordoy - Mozart & R. Strauss: Lieder (Uk) | RECORD STORE DAY
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DISC: 1

1. Komm, Liebe Zither, Komm, K. 351
2. 8 Gedichte Aus "Letzte Blätter", Op. 10: No. 3, Die Nacht
3. Das Kinderspiel, K. 598
4. 8 Gedichte Aus "Letzte Blätter", Op. 10: No. 2, Nichts
5. 6 Lieder, Op. 17: No. 2, Ständchen
6. 8 Lieder, Op. 49: No. 1, Waldseligkeit
7. 6 Lieder, Op. 37: No. 3, Meinem Kinde
8. 4 Lieder, Op. 27: No. 4, Morgen (Version with Violin)
9. An Die Einsamkeit, K. 391
10. Oiseaux, Si Tous Les Ans, K. 307
11. 3 Lieder, Op. 29: No. 2, Schlagende Herzen
12. Brentano Lieder, Op. 68: No. 5, Amor
13. Mädchenblumen, Op. 22: No. 1, Kornblumen
14. Mädchenblumen, Op. 22: No. 2, Mohnblumen
15. Mädchenblumen, Op. 22: No. 3, Epheu
16. Mädchenblumen, Op. 22: No. 4, Wasserrose
17. Das Veilchen, K. 476
18. An Chloe, K. 524
19. 8 Gedichte Aus "Letzte Blätter", Op. 10: No. 8, Allerseelen
20. 5 Lieder, Op. 48: No. 4, Winterweihe
21. 5 Lieder, Op. 48: No. 2, in Schwebe
22. 5 Lieder, Op. 48: No. 3, Kling
23. Das Traumbild, K. 530
24. Abendempfindung, K. 523

More Info:

Richard Strauss considered Mozart to be "the most sublime of all composers". Both Mozart and Strauss wrote exquisitely for the soprano voice and Sabine Devieilhe, with pianist Mathieu Pordoy, has assembled a beautifully balanced programme of their songs. Among them is Strauss's sublime 'Morgen', which brings a guest appearance by violinist Vilde Frang. When Devieilhe and Pordoy performed Mozart and Strauss at London's Wigmore Hall, The Spectator wrote of a "heart-stopping soprano" who made the songs "sound dewy-fresh. Her voice picked up and outlined each word; long lines sounded spontaneous but wholly considered. The clarity and the lightly worn self-awareness of Devieilhe's singing made for a seductive combination."