Bauhaus, L'Appartamento, produced and mixed by Younghusband's Euan Hinshelwood, firmly establishes Bardo's musical adventurousness and prowess, and marks a cathartic and self-affirming moment for an artist who found her voice by realizing it's been there all along. Each track on the album opens a new door. In the resonant and memorable opener 'The Most,' Bardo is bold in her declaration of romance and devotion. The twinkling, gauzy guitars of 'Do This To Me' find Bardo world-weary and desperate for resolution. The off-kilter distortion of 'Impossible' and its spoken word in her native tongue see Bardo's Italian roots become entwined with the '90s American artists whose music continues to inspire her. She raises awareness for the importance of mental health with last year's single 'It's Okay (To Not Be Okay)'. The album is best summed up by the woman who wrote it all: 'Bauhaus, L'Appartamento is about loneliness, solitude, separation...but also unconditional love,' Bardo reveals of the record's overarching themes. 'Family, emotional dependency, mental health issues, feelings of emptiness and numbness, feelings of not being enough, inability to be in control of my own emotions, self-doubt, self-reflection, past traumas and dealing with them.'