Suzanne Ciani - Buchla Concert Galeria Bonino New York April 1974 | RECORD STORE DAY
RECORD STORE DAY

Thank you for choosing to buy locally from a record store!

Suzanne Ciani - Buchla Concert Galeria Bonino New York April 1974
Buchla Concert Galeria Bonino New York April 1974
Artist: Suzanne Ciani
Format: Vinyl

Details

Label: FINDERS KEEPERS
Rel. Date: 08/02/2024
UPC: 5060099508127

You can explore 3 ways to buy:

Find and visit a Local Record Store and get phone number and directions (call first, there is no guarantee which products may be in stock locally)

Purchase now from a local store that sells online or when available from an indie store on RSDMRKT.com

Purchase digitally now from recordstoreday.com (which serves local record stores)

Preorder Now

Store Distance Phone Preorder
Loading...

Find a local store


More Info:

Vinyl LP pressing. The very first Buchla synthesiser performance by revolutionary composer Suzanne Ciani finally makes it's fifty year journey from it's switch-on New York art gallery to it's long deserved and discerning global phonographic audience. With this previously unheard vinyl pressing, Finders Keepers Records are proud to present an archival project of 'art music' that not only redefines musical history but lays genuine claim to the overused buzzwords such as pioneering, maverick, experimental, groundbreaking and esoteric, while questioning social politics and the evolution of music technology as we have come to understand it. To describe Italian-American composer Suzanne Ciani's resurrected Buchla concert records as genuine gamechangers would be a gross understatement. These records represent a musical revolution, an artistic revelation, a scientific benchmark and a trophy in the cabinet of counterculture creativity. This sonic installation album, alongside her recently liberated WBAI / Phill Niblock 1975 sessions (FKR082), are triumphant yardsticks in the synthesiser space race and the untold story of the first woman on the proverbial musical moon. While pondering the early accolades attached to these golden era New York recordings it's daunting to learn that these records were in fact not even records at all. What exists on this disc now was a manifesto and a one-time gateway to a new world, which somehow was only partially pushed ajar. Captured here is a genuine live act exploring new territories with a fully performable music instrument. If the unfamiliar, modernistic, melodic pulses, tones and harmonics found on these 1970's artistic gallery collaborations / live presentations (then soon to be followed by academic grant applications and educational demonstrations) had been placed in a phonographic context alongside the widely marketed work of Morton Subotnick, Walter Carlos or Tomita, then the name Suzanne Ciani and her infectious influence would have already radically changed the shape, sound and gender of our record.